1 00:00:14,640 --> 00:00:17,160 Charlie Chaplin once said: 2 00:00:17,280 --> 00:00:20,480 "It takes a minute to notice a special person 3 00:00:20,600 --> 00:00:24,560 an hour to appreciate it a day to love her 4 00:00:24,680 --> 00:00:27,040 a lifetime to forget her." 5 00:00:28,280 --> 00:00:29,280 And you? 6 00:00:29,400 --> 00:00:33,160 What was the first time that you felt that feeling 7 00:00:33,280 --> 00:00:36,240 commonly called love? 8 00:00:36,960 --> 00:00:39,600 I call it the spark. 9 00:00:46,400 --> 00:00:48,120 How careless! 10 00:00:48,280 --> 00:00:50,400 I haven't introduced myself yet. 11 00:00:50,520 --> 00:00:52,240 My name is Mara. 12 00:00:52,360 --> 00:00:54,680 I love summer, hazelnut ice cream 13 00:00:54,800 --> 00:00:57,240 and the rock music of The Colors. 14 00:00:57,360 --> 00:01:01,280 I am a freelancer, that is, I don't have a boss. 15 00:01:05,320 --> 00:01:09,280 I have a room to rent, that is, I don't have my own house. 16 00:01:11,360 --> 00:01:13,600 And I'm... single, 17 00:01:13,720 --> 00:01:15,720 that is, I don't have a man. 18 00:01:17,080 --> 00:01:20,200 But I have a complicated relationship 19 00:01:20,600 --> 00:01:22,680 with him. 20 00:01:25,200 --> 00:01:26,840 He is Attila. 21 00:01:26,960 --> 00:01:29,920 It's been going on between us for two years. 22 00:01:30,080 --> 00:01:33,200 Now that I think about it, It's my most enduring story. 23 00:01:33,520 --> 00:01:34,400 Oh, no. 24 00:01:34,520 --> 00:01:38,320 There's another one which has lasted since school days. 25 00:01:40,720 --> 00:01:43,680 - You did it. - Love, you have to do skincare, 26 00:01:43,800 --> 00:01:47,400 otherwise your face will fall. Then when you find a man who takes you! 27 00:01:47,520 --> 00:01:50,280 Still? But who wants a man! 28 00:01:54,680 --> 00:01:58,080 This is Jodie, my gay roommate. 29 00:01:58,200 --> 00:02:00,040 How I like men! 30 00:02:00,160 --> 00:02:03,000 He's messy, messy, distracted, 31 00:02:03,120 --> 00:02:06,600 - attached to money, mean... - Look, I can hear you! 32 00:02:06,720 --> 00:02:08,920 But I love him very much! 33 00:02:14,120 --> 00:02:15,680 And then, 34 00:02:15,800 --> 00:02:19,360 This film is really very special. 35 00:02:19,480 --> 00:02:22,040 It's a jewel, a little jewel. 36 00:02:22,160 --> 00:02:24,160 I had the pleasure of seeing it in preview 37 00:02:24,280 --> 00:02:26,720 so we can talk about it with you. 38 00:02:28,000 --> 00:02:32,120 These are the usual phrases, I realize, but go to the cinema to see it. 39 00:02:32,240 --> 00:02:35,000 - It's really worth it. - Thank you, Fabio. 40 00:02:35,120 --> 00:02:38,920 A thousand thanks. Then you called me immediately, enthusiastic. 41 00:02:39,040 --> 00:02:42,040 - I was very happy. - Of course! 42 00:02:42,160 --> 00:02:46,680 You in this film, Emanuela, you are a leading actress, screenwriter, 43 00:02:46,800 --> 00:02:49,920 but above all, for the first time, director. 44 00:02:50,040 --> 00:02:54,040 It's your first film as a director, his directorial debut. 45 00:02:55,040 --> 00:02:56,080 There you go, well done! 46 00:02:56,200 --> 00:02:59,200 Wait until you see it before you applaud. 47 00:02:59,320 --> 00:03:01,320 Yes, I have to tell you that I was... 48 00:03:01,440 --> 00:03:04,160 For me it was an honor, 49 00:03:04,280 --> 00:03:07,320 - but also an incredible source of anxiety. - I believe so. 50 00:03:07,440 --> 00:03:11,360 It was the first time for me behind the camera. 51 00:03:11,480 --> 00:03:13,840 - I hope I was up to the task. - Three roles! 52 00:03:13,960 --> 00:03:16,840 - Eh, one and three. - Precisely. 53 00:03:16,960 --> 00:03:20,080 But I had a wonderful team 54 00:03:20,200 --> 00:03:22,920 who supported me 55 00:03:23,040 --> 00:03:25,040 and endured. 56 00:03:27,800 --> 00:03:28,800 And... 57 00:03:29,800 --> 00:03:31,840 An incredible cast. 58 00:03:31,960 --> 00:03:36,240 Let me name Massimo De Lorenzo as my roommate. 59 00:03:40,840 --> 00:03:42,600 Hey! 60 00:03:42,720 --> 00:03:45,520 I'm going to the accountant. Do you need something? 61 00:03:46,360 --> 00:03:48,920 - Why are you already awake? - Guess? 62 00:03:49,040 --> 00:03:52,560 Work in the apartment next door they woke me up at seven. 63 00:03:52,680 --> 00:03:55,640 I already hate this new tenant. When he arrives, he hears me. 64 00:03:55,760 --> 00:03:58,040 What do you know, maybe it's good. 65 00:03:58,520 --> 00:04:01,760 I don't care, I'm done with men. 66 00:04:02,160 --> 00:04:03,520 Okay. 67 00:04:03,920 --> 00:04:07,320 Then Barbara Ronchi who plays my sister. I don't want to forget anyone. 68 00:04:07,440 --> 00:04:10,080 Gabriele Lavia who is the prison director 69 00:04:10,200 --> 00:04:12,680 and Anna Bonaiuto in the role of the angiologist. 70 00:04:12,800 --> 00:04:16,320 Very good though. We know how good Anna Bonaiuto is, 71 00:04:16,440 --> 00:04:19,200 but I have to say that he touched with this role 72 00:04:19,320 --> 00:04:22,080 dramatic and surprising strings. 73 00:04:22,200 --> 00:04:24,280 Yes, he gave me a gift, really. 74 00:04:24,400 --> 00:04:26,080 And then... 75 00:04:26,640 --> 00:04:28,200 Last but not least, 76 00:04:28,320 --> 00:04:30,800 my exceptional co-star, 77 00:04:30,920 --> 00:04:33,680 - Alessandro Borghi. - Thank you, thank you. 78 00:04:34,800 --> 00:04:37,800 Listen, Alexander, what it was like working with Emanuela 79 00:04:37,920 --> 00:04:41,080 as a director, I mean. It was... 80 00:04:41,200 --> 00:04:45,040 Was it precise, meticulous, severe? 81 00:04:45,160 --> 00:04:49,720 First of all I have to tell you than for me to be here to support the film 82 00:04:49,840 --> 00:04:52,000 it was a gift of life. 83 00:04:52,120 --> 00:04:55,200 It was amazing to work with with Emanuela who is wonderful. 84 00:04:55,320 --> 00:04:59,800 She's precise, she knows what she wants, she is ambitious, even ruthless, when needed. 85 00:04:59,920 --> 00:05:01,720 - Ruthless. - Yes. 86 00:05:01,840 --> 00:05:04,080 - It's true. - It was a great gift. 87 00:05:04,200 --> 00:05:08,840 Then being a great actress, he knows well how to relate to actors. 88 00:05:08,960 --> 00:05:11,400 I remember him calling me and he told me: 89 00:05:11,520 --> 00:05:15,600 "I would like you to read this and in your opinion..." Can I say it? 90 00:05:15,720 --> 00:05:18,440 - Yes. - "Who could Fabrizio do?" 91 00:05:18,560 --> 00:05:22,000 I didn't dare hope that he could... 92 00:05:22,120 --> 00:05:24,680 - I asked him as a friend. - As advice. 93 00:05:24,800 --> 00:05:28,680 As advice because you want that I'm thinking of Alessandro Borghi. 94 00:05:28,800 --> 00:05:31,280 I read it and I didn't sleep at night. 95 00:05:31,400 --> 00:05:34,920 At this point we see a scene, that of your meeting or rather, 96 00:05:35,040 --> 00:05:38,720 that of the meeting of yours two characters, Mara and Fabrizio. 97 00:05:38,840 --> 00:05:40,600 Please, let's look. 98 00:05:47,080 --> 00:05:48,120 Attila! 99 00:05:48,640 --> 00:05:50,000 Attila! 100 00:05:50,120 --> 00:05:51,120 Attila! 101 00:05:53,040 --> 00:05:54,280 Attila! 102 00:05:55,640 --> 00:05:56,800 Attila! 103 00:05:56,920 --> 00:05:59,080 But where have you been? Come here! 104 00:06:01,680 --> 00:06:03,760 You were looking for him, I guess. 105 00:06:08,760 --> 00:06:11,360 Yes, how did you figure that out? 106 00:06:11,640 --> 00:06:15,640 You definitely weren't looking a German barbarian from the 1800s. 107 00:06:16,760 --> 00:06:18,200 This is good. 108 00:06:19,000 --> 00:06:22,320 I would be... Fabrizio, the new neighbor. 109 00:06:22,760 --> 00:06:25,720 - I... Mara. - I'll take this opportunity to apologize 110 00:06:25,840 --> 00:06:30,800 because I did the work and you will have heard some annoying noises. 111 00:06:31,400 --> 00:06:34,360 Oh, have you done the work? I didn't even notice. 112 00:06:34,480 --> 00:06:36,880 I didn't hear... anything. 113 00:06:37,200 --> 00:06:40,760 It's better that way. See you around then. 114 00:06:40,960 --> 00:06:41,960 Hello, Attila! 115 00:06:47,200 --> 00:06:48,480 HI. 116 00:06:50,280 --> 00:06:52,280 Attila, have you seen him? 117 00:06:56,440 --> 00:06:58,200 And... stop. 118 00:06:58,680 --> 00:07:01,880 - This was there. - This was beautiful, wasn't it? 119 00:07:02,000 --> 00:07:04,440 - Bella, you heard it... - I also heard about the thing... 120 00:07:04,560 --> 00:07:07,360 - "Piripiri" came out well. - For me yes, yes. 121 00:07:07,480 --> 00:07:08,600 Okay. 122 00:07:08,720 --> 00:07:11,440 In that period the screenplays they were weak. 123 00:07:11,560 --> 00:07:13,560 They were as bad as hunger. 124 00:07:14,400 --> 00:07:18,600 "Miss in love" It struck me from the first reading. 125 00:07:18,880 --> 00:07:21,560 It was something never seen before. 126 00:07:29,480 --> 00:07:32,320 It was a romantic comedy, but original 127 00:07:32,440 --> 00:07:36,960 without a cliché of films of that genre, but one. 128 00:07:39,160 --> 00:07:43,840 A real revolution, you have to believe me. An authentic revolution. 129 00:07:48,800 --> 00:07:53,280 When taking part in a project like that... 130 00:07:55,280 --> 00:07:57,320 That ambition, that level... 131 00:07:57,480 --> 00:08:00,080 When the bar is raised of interpretation, 132 00:08:00,200 --> 00:08:04,560 of directing, writing, then it is very difficult to get down. 133 00:08:05,640 --> 00:08:08,400 Do you know? Sometimes I think that... 134 00:08:10,320 --> 00:08:12,240 Oh well, nothing. 135 00:08:15,160 --> 00:08:16,840 Then you miss it. 136 00:08:17,600 --> 00:08:19,080 Cinema is like that. 137 00:08:22,320 --> 00:08:23,800 Good luck, guys! 138 00:08:25,880 --> 00:08:27,240 You die. 139 00:08:36,560 --> 00:08:39,160 Very difficult. We tried, we didn't succeed. 140 00:08:39,280 --> 00:08:41,760 What should we do! In fact... 141 00:08:54,480 --> 00:08:57,800 By the way, Franco, did they send us the bank transfer? 142 00:08:58,400 --> 00:09:00,400 These here, those... 143 00:09:01,320 --> 00:09:03,360 - The best always leave. - Thank you. 144 00:09:03,480 --> 00:09:06,560 Tullio! Tullio! Thanks... 145 00:09:06,680 --> 00:09:07,880 Thanks. 146 00:09:08,880 --> 00:09:12,400 I send you my condolences of the entire Italian audiovisual sector. 147 00:09:12,520 --> 00:09:15,000 - Thank you. - Thank you. 148 00:09:16,680 --> 00:09:19,400 Damn, it's cold! Oh mama! 149 00:09:20,080 --> 00:09:24,560 Malcom, I saw an ibex out here. Beautiful, incredible stuff. 150 00:09:25,560 --> 00:09:27,560 With horns and all. 151 00:09:29,880 --> 00:09:33,600 - I'm making you coffee, Monica. - Thank you. 152 00:09:35,760 --> 00:09:39,080 Oh, hold on to this one! 153 00:09:39,200 --> 00:09:42,200 - Hold on to her. - He's our angel, I know. 154 00:09:44,360 --> 00:09:46,360 - Hi love. - Good morning. 155 00:09:46,480 --> 00:09:48,480 - Good morning. - Good morning, my dear. 156 00:09:48,600 --> 00:09:50,880 - Well woken up. - Am I here again? 157 00:09:51,000 --> 00:09:53,680 You said which was a quick interview. 158 00:09:53,800 --> 00:09:57,000 Have you seen? When you start talking about your career, 159 00:09:57,120 --> 00:10:00,400 - it never ends. - Oh well... No, today we'll finish. 160 00:10:00,520 --> 00:10:05,040 - There's one little thing left. - Then it's my turn, I have to shave. 161 00:10:05,160 --> 00:10:08,880 - Why? - Will they ask me any questions? 162 00:10:09,240 --> 00:10:10,720 I'm your husband. 163 00:10:10,840 --> 00:10:15,480 Without the private lives of the characters in these projects... 164 00:10:15,600 --> 00:10:19,240 - I don't think so, you know? No, Malcolm? - That would be wonderful 165 00:10:19,360 --> 00:10:21,640 if private life entered history. 166 00:10:21,760 --> 00:10:24,080 You see, it's no use, it doesn't matter. 167 00:10:24,200 --> 00:10:29,040 Then we don't start being villagers that when they see a camera, 168 00:10:29,160 --> 00:10:32,080 they shave, they put on their good clothes. 169 00:10:32,200 --> 00:10:35,000 These are a bit rude things, a little unpleasant. 170 00:10:35,120 --> 00:10:37,880 Love, come on. 171 00:10:38,000 --> 00:10:40,200 - Someone bitter? - Me, thanks. 172 00:10:40,320 --> 00:10:42,680 - Me too. - Three of sugar, thank you. 173 00:10:42,880 --> 00:10:46,440 In the first weekend "Pasticciona in amore" does not achieve sensational results. 174 00:10:46,560 --> 00:10:51,040 It is outclassed by highly anticipated titles like "Cloudy with Carrots" with Terry Ruoppolo 175 00:10:51,160 --> 00:10:53,440 who was on his way to winning the Golden Ticket. 176 00:10:53,560 --> 00:10:56,080 Then slowly, or for the biting screenplay, 177 00:10:56,200 --> 00:10:58,280 or for the rock music of The Colors, 178 00:10:58,400 --> 00:11:01,880 the film with Fanelli and Borghi explodes thanks to word of mouth. 179 00:11:02,320 --> 00:11:04,360 "And so Aurora, 180 00:11:04,480 --> 00:11:06,480 after a very long sleep, 181 00:11:06,600 --> 00:11:09,600 thanks to the prince's kiss, he woke up." 182 00:11:09,880 --> 00:11:12,920 - The prince saved her! - Yes, 183 00:11:13,040 --> 00:11:16,840 but this is a fairy tale. In fairy tales princes kiss you, 184 00:11:16,960 --> 00:11:20,640 they save you and live happily ever after. 185 00:11:20,760 --> 00:11:22,640 In life it never goes like that. 186 00:11:25,320 --> 00:11:27,240 Almonst never. 187 00:11:35,960 --> 00:11:37,400 And so... 188 00:11:37,520 --> 00:11:41,440 ..these would be the famous... books. 189 00:11:44,120 --> 00:11:46,160 I don't know the secret. 190 00:11:46,280 --> 00:11:50,920 Like all great successes there is no real secret. 191 00:11:51,040 --> 00:11:52,760 "Messy in love" was... 192 00:11:52,880 --> 00:11:56,520 Do you know what it was? A true contemporary fairy tale. 193 00:11:56,640 --> 00:11:59,560 That's right, a contemporary fairy tale 194 00:11:59,680 --> 00:12:01,920 which however, if I may add... 195 00:12:02,040 --> 00:12:03,520 Add, add. 196 00:12:03,640 --> 00:12:08,080 A contemporary fairy tale where the audience identified 197 00:12:08,200 --> 00:12:10,640 and where for two hours and forty minutes we all were 198 00:12:10,760 --> 00:12:15,320 of booksellers lost in love of the neighbor. 199 00:12:16,360 --> 00:12:18,280 It's the magic of cinema. 200 00:12:18,400 --> 00:12:23,040 I was in Geneva for solar panels with my brother-in-law. 201 00:12:23,240 --> 00:12:26,840 We went for renewable energy. 202 00:12:26,960 --> 00:12:31,160 "What are we doing this afternoon? Let's go see Fanelli's film." 203 00:12:31,320 --> 00:12:34,840 I go into the theater and see the film. 204 00:12:36,240 --> 00:12:39,840 That, that... That hit me. 205 00:12:45,080 --> 00:12:49,840 "Messy in love" for me it is at a very high level. 206 00:12:50,080 --> 00:12:52,120 Herzog, Murnau. 207 00:12:55,040 --> 00:12:56,280 Fritz Lang. 208 00:12:56,400 --> 00:13:00,480 Even Fritz Lang. I'll also throw in Fritz Lang, imagine! 209 00:13:11,920 --> 00:13:14,480 We are used to seeing them behind the camera 210 00:13:14,600 --> 00:13:17,160 or sitting at their desks to type. 211 00:13:17,280 --> 00:13:20,040 We don't know the faces of some of them nor the voice, 212 00:13:20,160 --> 00:13:22,160 and yet they are their words 213 00:13:22,280 --> 00:13:25,360 that made us emotional laugh, cry. 214 00:13:25,480 --> 00:13:29,080 They are the directors and screenwriters not to be confused with set designers 215 00:13:29,200 --> 00:13:30,920 of Italian cinema. 216 00:13:31,320 --> 00:13:33,480 We are really annoyed 217 00:13:33,600 --> 00:13:37,200 and I'm here to defend my friend Paolo Virzì 218 00:13:37,320 --> 00:13:40,880 who had the courage to report this incredible thing 219 00:13:41,000 --> 00:13:42,720 what Fanelli is doing. 220 00:13:42,840 --> 00:13:46,320 The demonstration is born from the recent complaint by Paolo Virzì 221 00:13:46,440 --> 00:13:49,960 against Emanuela Fanelli and his "Pasticciona in amore", 222 00:13:50,080 --> 00:13:52,520 great success with the public and critics. 223 00:13:52,640 --> 00:13:55,160 Hey, that's scary! HI! 224 00:13:55,400 --> 00:13:58,760 Which responds to Virzì with respect to this movie thing? 225 00:13:58,880 --> 00:14:02,200 That's why it's there the welcoming committee? 226 00:14:02,560 --> 00:14:05,720 The director of "Ovosodo", "The good life", "August holidays", 227 00:14:05,840 --> 00:14:08,760 "Hugs and kisses", "Human capital", "Caterina goes to town", 228 00:14:08,880 --> 00:14:12,400 "The whole life ahead", "The crazy joy", "Magic Nights", "Drought", 229 00:14:12,520 --> 00:14:16,240 "Another mid-August", "Five seconds" he argued on social media 230 00:14:16,360 --> 00:14:18,960 against the actress, screenwriter and director. 231 00:14:19,080 --> 00:14:23,720 It seems that "Messy in love" is very similar to an idea of Virzì. 232 00:14:23,840 --> 00:14:26,440 No, but which one is very similar? It's exactly identical. 233 00:14:26,560 --> 00:14:29,720 I told Emanuela the idea and most of the narrative points 234 00:14:29,840 --> 00:14:34,120 also with Francesco, quoting entire scenes and it was identical. 235 00:14:34,240 --> 00:14:36,040 It was identical. I trusted, we trusted. 236 00:14:36,160 --> 00:14:39,760 Okay, but there are files with the dates, so there is little to discuss. 237 00:14:39,880 --> 00:14:43,440 I have kept it ever since the scripts in a quarry in Switzerland 238 00:14:43,560 --> 00:14:46,800 at 4,600 meters, three cable cars is no small feat. 239 00:14:47,080 --> 00:14:51,560 But nothing, what do I reply? I love Paolo, I owe him a lot. 240 00:14:51,680 --> 00:14:54,760 - The turning point was David. - So he owes us something. 241 00:14:54,880 --> 00:14:58,360 This is called rancorous syndrome of the beneficiary. 242 00:14:58,480 --> 00:15:02,160 Think about that in my last set we were shooting a scene, 243 00:15:02,280 --> 00:15:04,560 at a certain point he says stop, he's coming to me and asks me: 244 00:15:04,680 --> 00:15:06,840 "Look, I'd like to change an adjective." 245 00:15:06,960 --> 00:15:09,840 I only ask for one thing, respect. 246 00:15:10,240 --> 00:15:13,360 At the end of the film he asked me to sign the script. 247 00:15:13,480 --> 00:15:16,640 Some themes are universal and the ideas are... 248 00:15:17,440 --> 00:15:20,160 Ideas are around, they are in the air. 249 00:15:20,280 --> 00:15:22,880 Ideas are around, they are in the air. 250 00:15:23,840 --> 00:15:26,000 - Shame! - Then I'm humanly sorry 251 00:15:26,120 --> 00:15:28,760 because he is a person who came from Cordena, 252 00:15:28,880 --> 00:15:31,160 this rural village, 253 00:15:31,280 --> 00:15:35,080 - so with this underdog air of his. - False. 254 00:15:35,200 --> 00:15:37,520 Then do this shit now 255 00:15:37,640 --> 00:15:43,560 and above all she feels empowered to usurp the work of the authors, 256 00:15:43,680 --> 00:15:46,040 a job that must be respected. 257 00:15:46,160 --> 00:15:49,040 All right? Good morning, thank you, have a nice day. 258 00:15:49,160 --> 00:15:51,200 Good job, bye! 259 00:15:51,320 --> 00:15:52,920 Are you coming with me? 260 00:15:53,440 --> 00:15:54,480 Come on! 261 00:15:54,600 --> 00:15:57,680 Come on, good work. Be careful, there's the vase. HI. 262 00:15:57,800 --> 00:16:01,360 It is a courage that I, for example, I didn't have when... 263 00:16:02,000 --> 00:16:07,080 ..they stole my film, 264 00:16:07,200 --> 00:16:10,000 "Agata Christian - Crime on the snow". 265 00:16:10,120 --> 00:16:13,640 It's a film I worked on together with Giulia Calenda 266 00:16:13,760 --> 00:16:16,840 which is here and he suffered together with me. 267 00:16:17,160 --> 00:16:18,440 Respect. 268 00:16:18,560 --> 00:16:21,600 If they steal our ideas, they steal our whole life from us. 269 00:16:21,720 --> 00:16:23,400 We are our ideas. 270 00:16:23,520 --> 00:16:25,920 The notes are seven, Malcom, you teach me. 271 00:16:26,040 --> 00:16:28,040 There are seven notes. 272 00:16:29,080 --> 00:16:30,840 One important thing... 273 00:16:30,960 --> 00:16:34,680 Ah, there, there, there it is! You come. Look, come. 274 00:16:34,800 --> 00:16:38,920 Sorry for the interruption. Something very quick, sorry. 275 00:16:39,040 --> 00:16:42,640 - Can I take a second? - Yes, you speak, you know how to do it. 276 00:16:42,760 --> 00:16:44,040 A thousand thanks. 277 00:16:44,160 --> 00:16:47,320 There's a big problem here, a huge problem. 278 00:16:47,440 --> 00:16:51,240 I'm not here to talk because I'm part of the project. 279 00:16:51,360 --> 00:16:54,400 It's a question of intellectual honesty. 280 00:16:54,520 --> 00:16:58,840 How it gnaws at you than a young, mostly female artist 281 00:16:58,960 --> 00:17:00,960 - stole your job. - Stop it. 282 00:17:01,080 --> 00:17:03,880 It's been a busy time, huh? 283 00:17:04,000 --> 00:17:06,240 Very lively culturally. 284 00:17:06,360 --> 00:17:09,280 Emanuela's film was a coincidence, this must be said 285 00:17:09,400 --> 00:17:12,040 and many, many directors 286 00:17:12,160 --> 00:17:15,000 great directors of the time, well... 287 00:17:15,560 --> 00:17:18,240 They were a little annoyed. Today we can say it. 288 00:17:18,360 --> 00:17:23,160 However today at this moment, anno domini 2027, in this place 289 00:17:23,280 --> 00:17:26,520 I feel a police state atmosphere, 290 00:17:26,640 --> 00:17:28,360 from a police state 291 00:17:28,480 --> 00:17:33,520 which reminds me a lot the one against Volonté and Petri 292 00:17:33,640 --> 00:17:37,640 for "Investigation of a citizen above all suspicion." 293 00:17:37,760 --> 00:17:40,520 It reminds me, it reminds me! 294 00:17:40,640 --> 00:17:42,800 At that moment it had to be asserted their rights. 295 00:17:42,920 --> 00:17:47,640 There were things to say and I said them. In fact, I never worked again. 296 00:17:48,960 --> 00:17:52,360 The advice I give you is to go home, 297 00:17:52,480 --> 00:17:55,760 put yourself in front of you to your personal computers 298 00:17:55,880 --> 00:17:57,360 and write, write, 299 00:17:57,480 --> 00:17:59,280 so maybe, but maybe, 300 00:17:59,400 --> 00:18:01,560 you could have a success too. 301 00:18:01,680 --> 00:18:04,000 Maybe, okay? 302 00:18:04,120 --> 00:18:07,080 It was a coincidence because I was in the building next door. 303 00:18:07,200 --> 00:18:10,600 I was filming a series, the one about John Holmes. 304 00:18:12,200 --> 00:18:13,920 I finished because unlike you, 305 00:18:14,040 --> 00:18:17,760 I'm going to work, okay? 306 00:18:17,880 --> 00:18:22,400 - Thank you all! Here you go. - He was a great guy. 307 00:18:23,120 --> 00:18:25,320 He was smart, worked with Marinelli. 308 00:18:25,440 --> 00:18:29,560 It went well for you that I'm working! 309 00:18:29,680 --> 00:18:31,000 Fuck you! 310 00:18:31,120 --> 00:18:36,800 "Clumsy girl" managed to stem it our Italian provincialism. 311 00:18:36,920 --> 00:18:40,120 Because we are still an American colony. 312 00:18:40,240 --> 00:18:42,360 In the end he conquered everyone. 313 00:18:44,120 --> 00:18:46,680 Yes, it even came out in America with... 314 00:18:49,880 --> 00:18:52,280 It's amazing! Incredible. 315 00:18:53,080 --> 00:18:55,160 I name "America"... 316 00:18:55,280 --> 00:18:59,400 - In my opinion he must increase the kilowatts. - You are right. 317 00:19:00,120 --> 00:19:01,760 Cowardly! 318 00:19:04,760 --> 00:19:07,880 Fanelli raised us quite a bit of money, huh? 319 00:19:08,000 --> 00:19:11,800 On an economic level it is work which made her take the leap. 320 00:19:11,920 --> 00:19:15,760 With that money he bought two houses in Lido dei Pini. 321 00:19:15,880 --> 00:19:18,280 Two, not one, two. 322 00:19:29,480 --> 00:19:33,080 You even dare to introduce yourself here! 323 00:19:33,200 --> 00:19:34,800 Bitch! 324 00:19:34,920 --> 00:19:37,880 - You're a whore! - Mom, please calm down! 325 00:19:38,000 --> 00:19:40,480 There are people sleeping at this time! 326 00:19:41,120 --> 00:19:45,880 You can find Italian foods here in Val d'Aosta or is it difficult sometimes? 327 00:19:46,000 --> 00:19:48,880 So, as long as it was Italy, obviously yes. 328 00:19:49,000 --> 00:19:53,480 Since it's Switzerland, I struggle more, but I have my places of trust, 329 00:19:53,600 --> 00:19:56,480 where I know, they put things aside for me. 330 00:19:56,600 --> 00:19:59,920 But the cuisine is very different from the Roman one. 331 00:20:00,040 --> 00:20:04,760 Well, yes, because in the end here it's a lot of soups, fondues, 332 00:20:04,880 --> 00:20:06,760 the crepes, good. 333 00:20:06,880 --> 00:20:10,960 All good, but lots of soups, fondues, a little more... 334 00:20:11,200 --> 00:20:13,840 Even the Roman one is not light, but different. 335 00:20:13,960 --> 00:20:17,080 - Okay, for love this and more. - What love? 336 00:20:17,200 --> 00:20:19,760 Ah, yes! No, of course. 337 00:20:19,880 --> 00:20:23,600 Also because, after all, love... 338 00:20:25,640 --> 00:20:28,360 Love is like a sailboat. 339 00:20:28,480 --> 00:20:31,160 Smile and enjoy it as long as you have the wind in your favor 340 00:20:31,280 --> 00:20:33,440 and keep the bar straight... 341 00:20:33,560 --> 00:20:37,600 - When the storm comes. - Oh well, you know it! 342 00:20:37,720 --> 00:20:39,720 - A toast. - How wonderful! 343 00:20:39,840 --> 00:20:43,880 - But really! - I was waiting for this quote! 344 00:20:45,000 --> 00:20:46,760 I always say it. 345 00:20:46,880 --> 00:20:49,720 Love is like a sailboat. 346 00:20:49,840 --> 00:20:54,440 Smile, enjoy it as long as you have the wind in your favor 347 00:20:54,560 --> 00:20:58,680 and keep the bar straight when the storm comes. 348 00:21:01,600 --> 00:21:04,200 - Come on, let's start the visit. - Yes. 349 00:21:04,320 --> 00:21:07,920 I've never had any problems so far, but I'm familiar 350 00:21:08,040 --> 00:21:12,600 because my mom had to start to wear anti-thrombus stockings from the age of 32. 351 00:21:12,720 --> 00:21:15,120 I will be a... ten days 352 00:21:15,240 --> 00:21:17,440 I saw some sketches here. 353 00:21:17,560 --> 00:21:19,920 I don't know if this is the saphenous vein. 354 00:21:22,000 --> 00:21:24,840 - It's the saphenous vein. - And so... 355 00:21:24,960 --> 00:21:27,440 - We need to do an ultrasound Doppler. - All right. 356 00:21:27,720 --> 00:21:31,600 Thank you. It doesn't stay than inviting our audience to the cinema 357 00:21:31,720 --> 00:21:35,720 for "Messy girl in love" from November 25th. 358 00:21:35,840 --> 00:21:37,480 - Fabio, can I say something? - Please. 359 00:21:37,600 --> 00:21:41,600 Only... I'd like to tell an anecdote here from you. 360 00:21:41,720 --> 00:21:45,280 I've never done this before and I'm happy about it give it to you and your audience. 361 00:21:45,400 --> 00:21:48,920 It will be very short. The evenings before filming began 362 00:21:49,040 --> 00:21:53,480 I was very excited and worried, so I struggled to sleep 363 00:21:53,600 --> 00:21:57,200 and one night he appeared to me in a dream Dino Risi. 364 00:21:57,960 --> 00:22:02,920 Dino Risi came to meet me, he put his hands on my shoulders 365 00:22:03,040 --> 00:22:06,240 and with a very calm, very sweet voice, 366 00:22:06,360 --> 00:22:09,600 almost paternally he told me: 367 00:22:09,720 --> 00:22:14,080 "Emanuela, 'Pasticciona in amore' is the film 368 00:22:14,200 --> 00:22:17,480 that I would have liked to shoot." 369 00:22:25,720 --> 00:22:28,720 But Dino Risi was young or Dino Risi old? 370 00:22:30,960 --> 00:22:34,680 The scene that remained in my heart of "Pasticciona in amore" 371 00:22:34,800 --> 00:22:37,400 - is that of the musical in prison. - Oh well. 372 00:22:37,520 --> 00:22:40,720 - I went crazy there. - Do you know how long it took me to shoot it? 373 00:22:40,840 --> 00:22:43,760 - Eleven days. - Wow, what a job! 374 00:22:43,880 --> 00:22:48,120 You remember the sensational one who went: "eoh, eoh", 375 00:22:48,240 --> 00:22:50,640 - the one that popped up... - Yes. 376 00:22:51,320 --> 00:22:53,680 Stupendous! Which then to me... 377 00:22:54,160 --> 00:22:58,840 also "Pasticciona in amore", the series, I liked it a lot. 378 00:23:17,080 --> 00:23:19,920 Can I talk to you in private for a moment, Malcolm? 379 00:23:21,080 --> 00:23:22,200 Certain. 380 00:23:25,200 --> 00:23:27,200 This is very good. 381 00:23:29,480 --> 00:23:34,360 Here is a soil that makes this salad which is an incredible thing. 382 00:23:34,480 --> 00:23:38,200 - I open the doors of my house to you. - You were wonderful. 383 00:23:38,320 --> 00:23:41,320 I provide you with memories, goodies, anecdotes. 384 00:23:41,440 --> 00:23:47,120 I'll cook you the dish that I do best. Maybe I deserve different treatment. 385 00:23:47,240 --> 00:23:51,840 - You're right, it was lighthearted. - Call it lightheartedness 386 00:23:51,960 --> 00:23:53,960 with the other one filming? 387 00:23:54,080 --> 00:23:57,720 I would be more willing to talk about the process to make you understand the situation. 388 00:23:57,840 --> 00:24:00,240 We are only marginally interested in it. 389 00:24:00,360 --> 00:24:03,360 But very free to talk about it, I tell you calmly, 390 00:24:03,480 --> 00:24:05,720 but in no way categorically 391 00:24:05,840 --> 00:24:10,320 I want to talk about the series "Miss in love"! No way. 392 00:24:10,440 --> 00:24:15,280 That offended me. It was violent, aggressive, rude. 393 00:24:15,400 --> 00:24:17,840 He hurt me at home... Yes, it hurt me! 394 00:24:17,960 --> 00:24:20,480 You say no, I say yes. He hurt me in my house! 395 00:24:20,600 --> 00:24:23,920 There's no point in saying no, he hurt me in my house. 396 00:24:24,040 --> 00:24:28,120 It was a misunderstanding. He wanted to say: "I liked the series." 397 00:24:28,240 --> 00:24:31,280 But what? They put two episodes and they canceled it. 398 00:24:31,400 --> 00:24:34,120 Are you kidding me? If they had waited for the third, 399 00:24:34,240 --> 00:24:37,880 there was a narrative turning point. Oh well, I don't feel like talking about it anymore. 400 00:24:38,000 --> 00:24:41,600 Let's not make a fuss about it. Monica she is a producer with great experience. 401 00:24:41,720 --> 00:24:46,520 I'm just telling you that he did the DAMS. Please, let's smooth it out, huh? 402 00:24:46,640 --> 00:24:48,680 Let's relativize, okay? 403 00:24:50,040 --> 00:24:52,040 Don't make trouble for me. 404 00:24:54,240 --> 00:24:55,880 Fire her. 405 00:24:56,000 --> 00:24:59,080 - How do you fire her? - Fire her, Malcom, immediately. 406 00:24:59,200 --> 00:25:01,480 - I cannot. - We're in my house. 407 00:25:01,600 --> 00:25:05,720 I decide who stays in my house. She doesn't fit in my house. 408 00:25:05,840 --> 00:25:09,000 I don't get fooled from little girls. 409 00:25:16,280 --> 00:25:18,560 I didn't want to make fun of Emanuela. 410 00:25:18,680 --> 00:25:22,640 I know, Monica, imagine if I don't know. 411 00:25:22,760 --> 00:25:26,480 I really liked it "Messy girl in love", the series. 412 00:25:26,600 --> 00:25:29,520 Even just those two episodes. I know, it seems absurd 413 00:25:29,640 --> 00:25:33,320 because we rarely saw anything done worse, but maybe... 414 00:25:33,440 --> 00:25:37,840 ..it's because I tie it to a moment particularly happy with my life. 415 00:25:37,960 --> 00:25:41,960 Sabino and I saw the two episodes together, on a December afternoon, 416 00:25:42,080 --> 00:25:45,280 at the Cineteca di Bologna, during the retrospective 417 00:25:45,400 --> 00:25:48,560 "If you got it wrong on purpose, It was better anyway." 418 00:25:52,760 --> 00:25:57,280 That afternoon I heard for the first time an immense love for him. 419 00:25:58,760 --> 00:26:01,200 Only years later did I realize 420 00:26:01,320 --> 00:26:05,120 thanks to the support by a psychodynamic therapist, 421 00:26:05,240 --> 00:26:09,000 than to him, I was attached to his family. 422 00:26:09,120 --> 00:26:14,040 Particularly to the mother due of an unhappy relationship with mine 423 00:26:14,160 --> 00:26:18,080 compromised already during the oral phase of my childhood 424 00:26:18,200 --> 00:26:21,680 due to its fixed for hygiene and bacteria 425 00:26:21,800 --> 00:26:24,960 for which I still pay the consequences today. 426 00:26:27,920 --> 00:26:31,240 I'm sorry to leave like this from this project, 427 00:26:31,360 --> 00:26:34,200 but it's not because of the lost work I'm pining 428 00:26:34,320 --> 00:26:36,640 also because we will see each other again with Malcom 429 00:26:36,760 --> 00:26:40,040 for the documentary about Elsa Morante and Alberto Moravia. 430 00:26:40,160 --> 00:26:45,240 - That's done, I told you, it's done. - I'm sorry about staying with Emanuela 431 00:26:45,360 --> 00:26:48,200 it brought me back every minute to that film library, 432 00:26:48,320 --> 00:26:52,400 to that December, to that love to my mother-in-law. 433 00:26:57,320 --> 00:26:58,960 In what sense? 434 00:26:59,080 --> 00:27:03,920 In the dream Dino Risi was young or was he already a little advanced in years? 435 00:27:04,880 --> 00:27:07,360 Young, young Dino Risi. 436 00:27:07,800 --> 00:27:10,760 It was from... Of course he spoke Tuscan, so... 437 00:27:10,880 --> 00:27:13,360 This is why... 438 00:27:13,480 --> 00:27:16,600 I mean, I think you're confused with Monicelli. 439 00:27:16,720 --> 00:27:18,080 Monicelli? 440 00:27:18,200 --> 00:27:20,680 Monicelli appeared to me in a dream and I didn't notice? 441 00:27:20,800 --> 00:27:25,640 I don't know, but Monicelli was Tuscan and Dino Risi was born in Milan. 442 00:27:26,640 --> 00:27:28,640 - Was he born in Milan? - Yes. 443 00:27:30,560 --> 00:27:33,360 - I think it was Scola. - Eh. 444 00:27:33,480 --> 00:27:37,640 - It was Scola who imitated Dino Risi. - Certain. 445 00:27:37,760 --> 00:27:42,560 "Emanuela, 'Messy in love' It's the film I would have liked to make." 446 00:27:42,840 --> 00:27:45,960 It was Scola! Think about it. 447 00:27:49,480 --> 00:27:51,200 Holy shit! 448 00:28:09,880 --> 00:28:14,520 I would like to draw attention in this film of mine 449 00:28:14,640 --> 00:28:17,520 to one element, the element of rain. 450 00:28:17,640 --> 00:28:19,680 Guys, the rain! 451 00:28:21,840 --> 00:28:26,520 Rain and the wise use of rain in this movie 452 00:28:26,640 --> 00:28:30,960 elevates her to third protagonist, if you think about it. 453 00:28:31,080 --> 00:28:33,240 Massimo De Lorenzo is... 454 00:28:33,360 --> 00:28:38,600 Rain is the third protagonist. 455 00:28:38,720 --> 00:28:40,200 DeLorenzo he is not the protagonist. 456 00:28:40,320 --> 00:28:42,080 The male protagonist is you, feminine I 457 00:28:42,200 --> 00:28:44,160 and third protagonist is... 458 00:28:44,680 --> 00:28:47,080 ..without gender, the rain. 459 00:28:47,320 --> 00:28:50,800 There was an empty part in the middle. 460 00:28:50,920 --> 00:28:53,320 Rain like this, no. 461 00:28:53,440 --> 00:28:56,880 Or is it rain, otherwise it's better not to do it. 462 00:28:57,000 --> 00:29:00,560 I asked you something, the rain. 463 00:29:00,800 --> 00:29:03,840 I get here, it's not there. So, the rain... 464 00:29:04,600 --> 00:29:05,600 Okay. 465 00:29:05,720 --> 00:29:08,200 Who is he said what's bullshit? 466 00:29:08,320 --> 00:29:11,480 You talk about money, but I'm talking about art. 467 00:29:11,600 --> 00:29:13,120 Who said that? 468 00:29:13,240 --> 00:29:16,280 Even the rain stole from us. There is rain from start to finish 469 00:29:16,400 --> 00:29:18,600 as in our project. 470 00:29:18,720 --> 00:29:21,200 - Are you sure you don't have any scenes with rain? - No. 471 00:29:21,320 --> 00:29:22,760 - Are you sure? - Yes. 472 00:29:22,880 --> 00:29:23,800 But look! 473 00:29:23,920 --> 00:29:26,920 No he'll call me back. I have to find it, because this is it. 474 00:29:27,040 --> 00:29:29,560 Enough. But fuck you! 475 00:29:29,680 --> 00:29:32,320 - Can I say good? - No, come on! 476 00:29:33,840 --> 00:29:36,640 In your rain scene 477 00:29:36,760 --> 00:29:39,600 when you go out and the downpour comes, 478 00:29:39,720 --> 00:29:42,320 do you want a wetsuit underneath? 479 00:29:42,440 --> 00:29:43,360 Claudia! 480 00:29:43,480 --> 00:29:46,680 Add a scene or two 481 00:29:46,800 --> 00:29:50,680 of her under the flood? It's important.